003-01- Maxforlive

maxforlive logo

What is Max for Live?

In 2008 Ableton and Cycling 74′ worked together to release Max for Live.

Max/MSP/Jitter is a mature visual programming language for media artist. Max for Live is the same programming language built-in Ableton Live. Max for Live also introduced new ways of controlling Ableton Live that were not available before.

Max for Live allows users to build and share their own Audio Effects, MIDI Effects, Instruments, Video devices and much more.

This program language doesn’t require any coding, Instead we’ll use different object and patching wires to connect these object to create our Max Patch.


Even if you don’t want or need to program your own devices other people do. And most of them release their creations for free for you to use. So we can also look at Max for Live as simply more Instruments, Audio Effects, and Midi Effects for us to use.


Being a programming language Max for Live lets you solve any problem or missing feature that Ableton Live might have.


Max is now included in Ableton Suite 10


If you are using Ableton Live 9 Max is it’s own standalone application you will need to separately download the Max application from the Ableton Website. You need to download the same bit version you are using so if you are using Ableton Live 32 Bit download Max for Live 32 and if you use 64 bit download Max for Live 64 bit.

Please go over THIS ARTICLE from Ableton.com for any questions or troubleshooting installing.


After Installing Max and opening Ableton Live. You will see 3 folders under the Max for Live Category.


– Max Audio Effect

– Max Instrument

– Max MIDI Effect


If you are using a Mac computer, If not already installed you will also have to install Java. Ableton will prompt you to install java after the first time you load a Max device.


You can download a couple of Live Packs from the Ableton Store to help you start using Max for Live.

The first and most important is Max for Live Essentials which is a must pack featuring some amazing new tools for your music productions like a Convolution Reverb, Synths, Drum synths and MIDI effects.


If you want to dive deeper into programming Max devices check out Max for Live Building Tools which features a collection of simple max for live devices that can be a great start or learning point for max programmers.


Some other free Max for Live packs from the Ableton store:

Granulator 2 (Granular Synth)

Gratis Hits

– Schwarzonator

Hitting the Edit Button

There are 3 types of Max for Live Devices:

Max MIDI Effect – Inputs MIDI Outputs MIDI

Max Instrument – Inputs MIDI Outputs Audio

Max Audio Effect – Inputs Audio Outputs Audio


When we load a Max for Live device we can see an extra button on the top right where the Hot-Swap and Save Preset buttons are. This is the Edit button.


Clicking on the Edit button will open up the Max application.


Here we can build our devices. Click on the objects tab in the side menu to bring up the object explorer



Here you can load all most of the object to build or edit your max patch.

Once you load or drag an object into the Max Palette you can right click and open up the Object’s Help patch which is actually another max patch that functions as an interactive tutorial for the object and will tell you all the basics of how to use this object.


You can also right click the object and choose to see the reference file which will display more info on the attributes of the object.

Learning Max/MSP

Max holds an extensive tutorial system. You can click the top Help menu and go to various tutorials and documentation sections.


max help menu


There are a lot of people out there who are building their own Max for Live devices. You can find hundreds of them (mostly free) at Maxforlive.com.

Check out Studnet Resources for more Max for Live tutorial videos.

Max for Live Essentials

maxofrlive essentailas


Max for Live Essentials Live Pack comes with a collection of Max for Live Devices, Audio Effects, MIDI Effects and Instruments.

This pack officially introduces a new way of controlling Ableton Live API. With Max for Live, Live turns into a true modular working environment for control, sound and visuals.

Max Instruments

Drum Synths

drumsynths m4l


Max for Live Essentials provide us with 13 drum synthesizers. Each one dedicated to a different drum sound.

  • Clap
  • Cymbal
  • Percussion
  • Hihat
  • Kick
  • Snare
  • Tom

You can find preset kits under the Max for Live Essential live pack.

drum synth presets


These are Drum Rack presets with the Drum Synths loaded up into different drum pads.

The Drum Synths can be a great Digital layering tool for your drums and can also provide solutions for specific drum sounds.

DS Drums

If you are using Ableton Suite 10 you can find these devices in the Core Library pack and no additional download is necessary.


To preview the sound of each DS module simply click on the display icon of the instrument.

DS Clang


Allows you to create variety of cowbell, clave and noise sounds.

Consists of two tones. Tone A/B lets you set the volume of each cowbell tone separately.

The Filter control morph between band pass and high pass filters.

The Noise control set the amount of noise applied to the sound.

When the Clave button is on you can add repeats to the clave sound using the Repeat slider.

Pitch will set the pitch of the sound.

Decay will set the length

Volume will set the overall volume.

DS Clap


DS Clap is a mix of filtered noise and an impulse running through panned delay lines, that allows you to create a range of sounds from a tight electronic clap to a more organic, humanized handclap.

The Sloppy control adjusts the delay time between the two delay lines, so you can set how tightly or loose the panned claps play together.

Tail adds filtered noise.

Speard switch from mono (0%) to wide stereo (100%).

Tone set the color of the clap. Higher values result in brighter clap sound.

Tune will set the pitch of the sound.

Decay will set the length

Volume will set the overall volume.

DS Cymbal


DS Cymbal combines sine and pulse waveforms with high-passed noise, making it possible to recreate a variety of timbres, from a thin ride cymbal to a heavy crash.

The Tone slider adjusts a high-pass filter. Higher values will result in more high-frequency content.

Pitch will set the pitch of the sound.

Decay will set the length

Volume will set the overall volume.



Inspired by a classic Japanese FM synthesizer, DS FM lets you create a variety of effects, from static bursts to metallic lasers.

Tone slider adusts a low-pass filter, allowing you to change the color of the drum. At higher values, the signal has more high-frequency content.

Feedb. adjusts the amount of feedback applied to the FM algorithm. Greater values yield more noise.

Amnt sets the amount of FM modulation, while the Mod slider blends between different modulation types.

Pitch will set the pitch of the sound.

Decay will set the length

Volume will set the overall volume.



DS HH is a blend of noise and sine waveforms, with which you can produce an number of sounds, from sharp closed hats to sizzling open hats.

The Noise toggle switch between two noise types: white or pink.

The Tone slider adjusts the high-pass filter. Higher values will result in more high-frequency content.

The pitched portion of the sound is filtered through a resonant high-pass filter. The filter can be switched between 12 and 24 dB slopes, and the attack time can be set via the Attack slider.

Pitch will set the pitch of the sound.

Decay will set the length

Volume will set the overall volume.

DS Kick


DS Kick is a kick drum synth with a modulated sine wave.

The Pitch slider adjusts the tune of the kick in Hz.

The Drive Slider will add distortion.

OT Slider will add harmonics.

The Attack parameter smooths the sound of the sine wave.

The Click switch adds a click sound to the kick, creating a sharper transient.

Decay will set the length

Env will set the pitch modulation.

Volume will set the overall volume

DS Sampler


DS Sampler makes use of your own samples to create a drum synth module.

You can load a sample by dragging and dropping it onto the upper half of the display.

The Start control adjusts the position of the sample start

The Length slider sets the sample playback length.

The Tune slider tunes your sample by +/- 48 semitones.

The Loop switch toggles the sample loop on and off.

Decay will set the length

Shaper will add distortion.

Volume will set the overall volume

DS Snare


DS Snare consists of a pitched oscillator and noise, providing a snare palette ranging from a traditional acoustic snare sound, to the gated noise snare often heard in electronic dance music.

The Color parameter controls the tone of the pitched signal.

The Tone parameter controls the presence of the noise signal.

You can apply one of three different filter types to the noise signal: low-pass, high-pass, or band-pass.

Decay will set the length

Pitch will set the global pitch of the sound.

Volume will set the overall volume.

DS Tom


DS Tom combines an impulse with several different pitched oscillator waveforms, allowing you to synthesize toms with various timbral qualities, from deep and thunderous to sharp and tappy.

The Pitch slider tunes the tom in Hz.

The Color parameter controls the filter gain and cutoff.

The Tone slider controls the level of resonant band-pass filters to mimic the tuning of the drum membrane.

Bend adjusts the pitch envelope.

Decay will set the length

Volume will set the overall volume.

Bass – Monophonic Virtual Analog

Bass new max


Bass is a monophonic synth designed for Baselines, Leads and special FX.

Features a mixer style oscillator with all the classic components you can find in an analog synth:

  • ADSR Envelope with x1 and X5 timing
  • Multi-Mode Filter
  • Filter Envelope with X1 and X5 timing
  • LFO
  • Built in distortion unit

Poli – Polyphonic Virtual Analog

Poli new max


Poli is a polyphonic synth designed to create chords and melodies.

  • Mixer style oscillator with Saw, Pulse, Sub, Ring and Noise
  • Separate High Pass and Low Pass filters.
  • Filter Envelope which also function as a Modulation envelope for Pitch, Filters, Pulse-Width, Vol and Ring modulation.
  • Built-in Chorus unit

Multi – Performance Multimode Synth

Multi new max

Multi  is a versatile and fun multimode synthesizer which features 6 synth engines in a single device. It has 8 knobs and 4 of the knobs change the parameters according to one of the selected modes. The global controls are Mode, Attack, Release and Volume.

Multi does not offer a lot of control and is aimed for more playability and performance.

The Synth Engines are:

  • Mode 1: Feedback FM
  • Mode 2: Mono Arp Lead Synth
  • Mode 3: Analog 8 Voice Subtractive Synth
  • Mode 4: Sample Playback
  • Mode 5: Karplus Strong (String synthesis)
  • Mode 6: Additive Synthesis

Max Audio Effects

Convolution Reverb

Convolution Reverb Pro2


There are two types: Convolution Reverb and Convolution Reverb Pro you can choose which ever one you wan to use we are only going to use and talk about Convolution Reverb Pro.

A Convolution Reverb is a type of reverb that uses Impulse Responses which are short recordings of real world spaces or hardware gear. These recordings are usually a result of a very short sound echoing in a space.

This allows to capture the characteristic of real places and use them as reverb for our production.



It is a great addition to the built-in reverb and can also be a great sound design tool. It will give you a more natural and organic sound and come packed with a lot of categorized presets.

To know more about each control use the info view (Shift+?) and move your mouse over the parameter.


info view reverb


You can also expand the Tab View to see 5 additional sections of the reverb.



A built-in EQ that effect the wet signal. Good way to adjust the frequency response of the reverbed signal.

Conv Re EQ



An X-Y control over the panning and distance.

pannnig conv rev



Off by default. When enabled it adds a small modulation to the reverb so the reverberation is not too static.

You get an X-Y pad to control the Rate (Speed) and Amount of the modulation. You also get 2 modes Normal and Widen (further separates the left and right channels) and two modulation modes. The first will effect the Dry signal and the second will effect the Wet signal which will result in a chorus like effect.

Mod conv rev



Controls the Dampening Size Decay and shape. This will also change the IR and will be displayed in the Waveform Monitor.

You can completely change the sound of the Reverb. Make it brighter, darker, metallic organic, longer, shorter.

A great tool for sound design.

daming tab conv rev



Global Controls tab. Here you can add a Fade in and Fade out to the reverb. You can Reverse the IR and You can even trim the start or end of the IR using the Early and Length controls which can give you effects like Gated Reverb.

global tab conv rev


Adding IR Libraries

conv rev irs add


Convolution Reverb comes packed with many IRs. But there are tons online for free you can download and add them to your Convolution Reverb menus. Check out the video below for a step by step. This video also covers a sound design technique called Convolution Layering. Lets first explain what it is and then you can watch the video for an in depth look.


Convolution Sound Design

One of the best part of Live’s Convolution Reverb is the ability to throw any audio file you want directly into the wave display zone.

Convolution Sound Design


This will allow you to not only use reverb Impulse Responses but rather more unique and unusual sounds.

This is very similar to simply playing 2 sounds at the same time but uses the Convolution Reverb algorithms and controls for more complex and organic sounding layering.

In the video we take Home Made Percussion (Found Sounds) and layer them to make our drums more interesting and complex.




Free Impulse Response Libraries:

The Echo Thief – A professor at UCSD who travels the world and record real places

EMES Virtual Rooms – Offer Free IRs on the bottom left of the screen

Adventure Kid – Great Spring IRs

Rekkerd Impulse Response Blog – A lot of articles and posts about Convolution Sound Design

Fokke Van Saane – A lot of really unique IRs. Make sure you download the Wav version of the packs.

Lexicon 480L – Beautifully sounds IRs from the famous Reverb Unit.

Boss GT-8 – IR from the Hardware unit

CKSDE – Separated IR Downloads


Check out the amazing sound designer Diego Stocco and his Convolution Processing Pack offering more then 200 sounds categorized and ready to use with your Convolution Reverb. Here is a free pack from him demoing the full product.

Buffer Shuffler 2.0

buffer shuffler


Buffer Shuffler is a Max Audio Effect. It is a real time loop cutting effect sequencer. It allows you to rearrange your loops on the fly.

Please note that the audio needs one pass through before starting to hear the effect. This because the Buffer Shuffler is a buffer effect and needs some time to record the incoming audio into the buffer.


Check out this great run through (and some info about the Convolution Reverb) from Computer Music Magazine:


Pitch Drop

pitch drop m4l


Simple Device which helps to recreates the sound of a vinyl record slowing down after the turntable’s motor is stopped. This results in the effect of the sound being pitched down.

Max MIDI Effects

ARP – Advanced Pattern-Based Sequencer

Arp new max


ARP is an advanced pattern-based midi Arpeggiator. It can sort, repeat and transpose incoming midi notes in various ways, while controlling a number of other parameters such as note length, velocity and even a user mapped parameter from anywhere in Live.

Altough It’s called ARP, It’s much more than an arpeggiator. It’s a parameter sequencer.

Mono Sequencer



The Mono Sequencer is a powerful featured packed MIDI sequencer. You can place it in front of any synth/sampler to sequence baselines and melodies.


Like the Buffer Shuffler you get different tabs to sequence different parameters. Each sequencer tab can have it’s own length and playing style (Up, Down, Random etc.).

Pitch: Sequencing Notes

Velocity: Changing the Velocity of each sequenced note

Octave: Changing the octave for each sequenced note

Duration: Length of each note

Repeat: Built-in note repeater. How many repeats for each note.


The bottom sequencer is the step enabler which allow you to choose the rhythmical pattern of the sequence.


By default the Mono Sequencer will pick up playing from where it left off. To reset it with Live’s transport turn on Transport Sync.

mono seq transport sync


There are a lot of features in this beast device like editing pitch to a scale, adding swing and controlling the sequencer from external MIDI.

Check out this video from Cycling 74′ for some cool tricks using the Mono Sequencer. This is episode 1 there are total of 8!



Instant Haus

instant haus breaks


A beat generator optimized for house music or broken beats and comes with a large variety of patterns for both styles.

place this device before a Drum Rack and hit play. Each MIDI layer can be swung, shifted and randomized. All knobs and faders are automatble.

Note Echo – Delay for MIDI

Note Echo M4L


Looks and function like the Simple Delay Audio Effect device but this one actually controls MIDI. So you can get very interesting gradually changing variation on Velocity and note repetitions.


MIDIMonitor – Stream Your MIDI Data/Display Chords



This is a simple utility which will create a stream of MIDI data. The data stream is displayed very clearly with color coding for: Note Pitch, Control Change, Pitchbend and Aftertouch. MIDIMonitor can be very useful for debugging midi setups. Now in Ableton Live 10 it is also a chord detector!

Control devices

Control Devices Max4L


Max for Live Essentials control devices lets us control Ableton Live like never before.

Each one of the control devices have a Map button. When you click the map button it will start blinking and wait for you to click any parameter in Live. It can be track volumes, Panning, Sends, and any parameter from any device.

The Control Devices are:

LFO: Same Low Frequency Oscillator we can find in any synth. Now you can use the power of the LFO on anything in Live

Shaper (Only in Live 10): Customize LFO shapes and map them to control anything

Envelope Follower: Listens to the incoming audio and create an envelope that can be applied to anything.

MAP8: a utility macro device that’s particularly useful with Push and other eight-knob controllers.

Device Randomizer: Easily map to any device to continuously randomize all parameters or create random presets.

Multi-Map: Map up to 8 parameters to be controlled with one knob.

XY Pad: Map 2 parameters to be controlled by an XY pad

MIDI Envelope: Same ADSR envelope we can find in any synth. now we can use it to add an envelope to any parameters we want.

Expression Control: Allows us to map our expression controls on our controller (Velocity, Mod Wheel, Pitch Bend Aftertouch, etc.) to any parameter.

LFO MIDI: Similar to the audio LFO but in a MAX MIDI Device format


Lets look at an example of how we can control live in a new way. Add an LFO Max Effect to an Audio Track. Hit the Map button and then click the track volume. This will map the LFO to control the track volume. This can create anything from light tremolo effect to extreme gating effects.

ezgif.com-resize (1)


Or you can map it to an EQ. Or even 2 LFOs!

ezgif.com-resize (2)


There are endless creative uses for the control devices. We’ll see some in class and you can check the student resources for more tricks and tips.

Home Work

Create 1:00 minute long music piece using only Max for Live.

It can be any style of music. You can use any Max for Live device from the Live Packs and also any device from MaxforLive.com

Be Experimental, Be Creative.

Student Resources

Hugh Max for Live Device Library

How to get started programming in Max (Official)

Max Live Object Model (LOM)

Cycling 74′ Community

Peterbatchelor (Free Max Course)

Baz Tutorials

Eric Ameres (Learn Max)

Sound on Sound Article 

Max for Live Devices you need

Max for Live Users (Facebook group)

Drum Replacement using Envelope Follower

Class Video

SEE ALL Add a note
Add your Comment

© 2019 Beat Lab Academy


Call us at 323-999-7815 or fill out
the form below.

About The Lab
Signup for Free Workshops and Ableton Goodies
Enter name and email below and we'll get you lit
Foundation of Music Theory
  • Rhythm Theory
  • Using Semitones and Intervals
  • Diatonic composition
  • Harmonizing and building chords
  • Styling
Learn the language of music to help you make the music you want to make, To communicate with other musicians and reveal the magic behind your favorie songs.
Progremming Beats
  • How Drum Racks work
  • Choosing the right samples
  • How to use Syncopation
  • Layering Techniques
  • Drum Processing methods
Sequence drums in any style using Ableton Live's Drum Racks. Learn tricks and techniques to take your beats to the next level.
Ableton Live 101
  • Why Ableton Live?
  • Session vs. Arrangement
  • Recording & Editing Audio
  • Live's Warp Engine
  • Using & customizing MIDI controllers
Experience the leading software today for modern music production.
Demystify the world of Ableton Live to make any style of music.
Thank you! We'll contact you shortly with more info and discounts.
  • History of Sampling
  • Hardware Samplers
  • Simpler vs. Sampler
  • Sampling your own instruments
  • Slicing Samples
Explore the endless world of sampling.
Add organic texture or make it into an instrument
Everything is possible with sampling
Using MIDI Controllers
  • Which Controller Should I Get?
  • Setting Up
  • Expression Controls
  • Advance MIDI Utilities
  • Playing Live Beats
Choose the right MIDI controller for your production/live needs.
Use MIDI remote scritps to enahce your workflow
Learn tricks and tips to customize your controller
Recording & Warping
  • Choosing the right mic
  • Setting up recording session
  • Working with other musicians
  • Time Stretching
  • Live's editing tools
Learn how to setup and record mics and instruments in Ableton Live.
Master the warp engine for syncronizing audio and sound design
Class Jams
  • Play in a band with your computer
  • Try out different instruments and MIDI controllers
  • Improvise on any given scale
  • Develop your ear for melodies, harmonies & Basslines
Play live with your classmates in the first modern ClassJam environment.
Develop collaboration skills, performance focus and improvisation techniques.
Structure & Styling
  • Active Listening
  • Pre-Determined Arrangement Techniques
  • BPM Ranges
  • Song Segments and how to use them
  • Finishing a full song
Get your own sound from analyzing and deconstrucing modern song structures.
Learn different musical genres to help you achive your own unique sound.
Please provide your name and email
  We hate spam as much as you. You will only get valuble content delievered.
Get Notified About Future Events
Music Theory 202
  • Parallel Harmony
  • Relative Scales
  • Pentatonic & Blues Scales
  • Jazz in Modern Music
  • Voicing Techniques
  • Borrowed Chords
Progress your composition skills by learning advanced music theory methods.
You will get a deeper understanding of how to produce strong harmonies, melodies and arrangements.
Ableton Live 202
  • The Launchbox
  • Modulation Vs. Automation
  • Session View Production Techniques
  • Advance Audio & MIDI Editing
  • Clip Envelopes
Learn advance Ableton techniques to take your production to the next level.
Everything is possible with Ableton Live let your imagination be your guide.
  • Analyzing Electronic vs. Acoustic music
  • Odd Time Signatures
  • Arrangment Styling
  • Sound Selection
  • Deconstructing Methods.
Learn the key characteristic of all popular music styles.
You have a specific style in mind you want to produce? We'll show you all the secrets.
  • Analog vs. Digital
  • Synth Signal Path
  • Oscillators, Filters, Envelopes and LFOs
  • Advance Modulators
  • Reverse Engineering
Take the sounds in your head and create them in the computer using synthesizers.
Demystify the vast world of virtual synths.
Sound Design
  • Advanced Time Stretching
  • Psychoacoustics
  • Fractal Soundscapes
  • Experiments in Sound
  • Field Recordings
  • The Art of Layering
Develop creative thinking by using multiple techniques to create unique and complex sounds.
Become a sonic master.
  • Ableton Link
  • Class Production Sessions
  • Project Managment
  • Real vs. Virtual instruments
  • Live Performance Routines
  • Rewiring
Collaborate with class mates with in-class synchronization.
Develope the skills needed to productevlly work with other musicians.
  • Choosing The Right Song to Remix
  • Flipping a Sample
  • Remixer Tools
  • Stems and Multi-Tracks
  • Preparing your Original Production for Remixing
Learn the art of remixing from top remixers in the industry.
Take your favorite songs and filp them with your own style.
Live Performance
  • DJing in Ableton Live
  • Preparing your Songs for Live Performance
  • Playing with a Band
  • Live Looping
  • DIY Controllers
Use the computer as a live musical performance tool.
DJ or play your own orgianls in any way you can imagine.
Max for Live
  • Max for Live Essentials
  • Modifying Exciting Devices
  • Creating your own Devices
  • Ableton as a Modular Environment
  • Live's API
  • VJing using Jitter
Explore the infinite potenital of Cycling 74's and Ableton's Max for Live.
Control Live in ways that weren't possible before.
Anything is possible with Max for Live
  • Win the Loudness Wars
  • Mastering Song vs. Album
  • Prepering Your Music for Distribution
  • Understanding the importance of Dynamic Range
Master your songs to sound as good as possible on as many playback systems as possible.
Learn the secrets on how to make your songs loud and punchy.
Finger Drumming
  • Choosing the Right Controller
  • Sound Design for Live Performance
  • Building Custom Racks
  • Using DIY Controllers
  • Planning your Controller's Configuration
Humanize your production or impress your audience on stage.
Build your own sound packs and develope your live performace skill with finger drumming.
Live Looping
  • Hardware Looping
  • Using Live's Looper
  • Live Looping in the Session View
  • Automatic Loop Recording using MIDI Scripts
  • Setup and Routing
Master the art of live looping with virtual instruments, conventional instruments and mics.
Come up with quick musical ideas, build your songs live on stage.
Online Presence
  • Social Media
  • How to Reach Out to Labels
  • Booking Shows
  • Getting Signed
  • Getting more Followers
  • Making a Music Video
Develop your artist brand and get your music heard by the right people.
Book shows, tours and festivals.
Find the right label and make music your career.
Entertainment Law
  • Clearing Samples
  • Commercial vs. Indie Distribution
  • Getting your music on TV and Film
  • Working with a Manager
  • Copyright your Music
  • Performance Rights
Understand the legallty behind the music industry.
Get the most out of your shows and releases. Maximize income streams.
Distribute your music the right way.
Production Sessions
  • Class Jams
  • Live Routines Assignments
  • Additive Composition
  • Produce other Classmates
  • Online Collaboration Methods
  • Musical Chairs
Collaborate in class.
Get private mentorship sessions from Beat Lab's instructors
Learn how to add part of yourself creatively to an exciting song.
  • Understanding How Sound Work
  • Gain Staging
  • Controlling the Stereo Field
  • Using Compressor & EQs
  • Using Time Based Effects
  • Bussing and Pre-Mastering
Master the art of sound mixing.
Make your music sound more clear, punchy and loud.
Learn the techniques and tools to help you take your music to the next level.
Mondays-Wednesdays: 4/25/16
Tuesdays-Thursdays: 4/26/16
Now Offering Day Classes
Our certification program is now available during the day. 6 months of intensive, comprehensive music production classes. Fill your email below and we'll send you ALL the details. Dates, scheduling, pricing & payment plans available.
We would never spam or give your email to anyone
Free Class Visits Available
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
Your Free Download
we hate spam
We got the exclusives
We would never spam or give your email to anyone
Free Class Visits Available
Free Class Visits Available
Your Free Download
we hate spam
Sing up for the 6 months certification program and get Serum - Wavetable Synthesis class for free.
We would never spam or give your email to anyone
Your Free Download
we hate spam
CONTEST - Accusonus x Beat Lab Giveaway
Win Free Plugins!